Score contribution per author:
α: calibrated so average coauthorship-adjusted count equals average raw count
The steady rise in the premiums charged to art buyers at auction (above hammer price) has been underway since 1992. This article, using a stable and bounded sample of repeat purchase of American works created before 1950, reveals that this tact has reduced hammer prices for that art. However, renewed and hyper-competitive efforts to bring more and higher quality art to market by the two main houses, Sotheby's and Christie's, have resulted in general profitability. Nevertheless, we calculate that a rise in buyers' premia at Sotheby's, a publically traded company, has reduced revenues and profits below their potential in the absence of such increases.